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Singing His Presence

The promise of Christ's presence can be just a song away.

The Celtic Revival: Celtic Christian Culture (6)

O God, defend me everywhere
With Your impregnable power and protection.

  - The Breastplate of Laidcenn, Irish, 8th-9th century[1]

Make haste, O God, to deliver me!
Make haste to help me, O L
ORD!
Let them be ashamed and confounded 
Who seek my life;
Let them be turned back and confused 
Who desire my hurt.


  - Psalm 70.1, 2

Surely one of the most precious of all God’s promises is that of Jesus Who said He will be with us always. Wherever we are, whatever we’re doing, whomever we’re with, Jesus is with us, Immanuel, to guide, empower, and transform ordinary situations into mountain tops of grace and glory. 

But in our frenetic world, amid all the distractions of daily life, it can be a challenge to retain that sense of the imminence of Christ, of His being with us where we are. Since fullness of joy and holy pleasure are to be known in Jesus’ presence (Ps. 16.11), maintaining that awareness should be a high priority in every believer’s life.

Celtic Christians cultivated an acute sense of the imminenceof God, of His real and personal presence with them, wherever they went. To remind themselves of this presence, and to enter it really and fully, they wrote songs, and sang them frequently.

lorica or “breastplate” song invoked divine protection and engaged the presence of the Lord. These poems were prayed or sung at various times of the day, to remind the singer of the Lord’s presence and care, and so to encourage and embolden him in his journey or work. Reminded of God’s presence, and celebrating that presence in song, the singer would find his path looked very different from those who cowered or held back in the face of difficulty, challenge, temptation, or threat.

There are several excellent examples of these lorica hymns from the literature of the Celtic Christian period. The best-known is probably “Patrick’s Breastplate,” also known as “The Cry of the Hart.” It is attributed to Patrick, but not by him, since it only appears in the literature of the period around 200 years after Patrick.

Lorica hymns resemble certain of the psalms – Psalm 70 is a good example – combining elements of complaint, imprecation, and supplication as they call on the help of God and angels for protection throughout the day, or for some journey or task. 

The principle is sound: Our Lord will never fail us nor forsake us. He is with us always, and we have our very being and all our movement in Him. Our Shepherd is always caring for us and upholding us by His Word of power (Matt. 28.20; Heb. 1.3). So it can be a source of comfort and confidence to remind ourselves in song of all the ways the Lord Jesus protects our minds, affections, and bodies, and how He guards the path and even shapes the attitudes of those we might meet along the way.

A breastplate hymn was a lyrical confession of the sovereignty of God, as well as a declaration of trust in Him and an invocation of His presence and grace. These old poems remind us of three important truths: First, God is with us and caring for us always, down to the smallest detail of our lives. Nothing about us is unimportant to our Lord.

Second, it is good and useful to acknowledge His presence. It may not always seem as though the Lord is present and caring for us, but He is. Singing or praying such psalms and poems can remind us of God’s promises and renew our trust and confidence in Him.

And, third, singing can be an important discipline to engage us with God’s unfailing love and bring us into His sovereign presence. God intends for us to benefit from singing, which is why we are commanded to sing and why singing is an indication of the Spirit’s filling (Eph. 5.18-21).

We should not confine our singing to services of worship with God’s people. Learn to sing psalms and hymns that can be beneficial for your daily walk with and work for the Lord. The Ailbe Psalteroffers all the psalms set to familiar hymn tunes. Seek out loricapsalms, such as Psalms 3, 23, 70, and others, and sing them over and over, until you know them by heart. 

Then sing them throughout the day, letting their melodies and lyrics lift you above your everyday situation into the presence of eternal glory. Linger there in meditation and prayer, waiting on the Lord, thanking and praising Him for all His abundant goodness to you.

In heaven, angels and departed saints sing continually to the Lord. All that prevents us from joining our voices with theirs is the will to do so.

Sing the presence of the Lord, and you’ll realize more of the promiseof His power.

Psalm 3.3, 4(Eventide: Abide with Me)
You are a mercy shield about me, Lord,
Raising me by Your glory and Your Word.
Prayers fraught with tears stream from me like a fount,
Yet God will answer from His holy mount.

Father, You have given us songs from Your own hand, that we might sing our way into Your presence at any moment. Give me the will to do so, Lord, and show me…

The Ailbe Psalter
If you have not yet purchased a copy of The Ailbe Psalter, I encourage you to do so. Here, in familiar hymn tunes, you can learn to sing not only the loricapsalms but all the psalms. Singing psalms can give shape and substance to your prayers and help you to know the Lord’s presence more consistently throughout the day. To order your copy of The Ailbe Psalterclick here.

T. M. Moore
Principal
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All Psalms for singing from The Ailbe PsalterScripture taken from the New King James Version. © Copyright 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved.


[1]Davies, p. 290.

T.M. Moore

T. M. Moore is principal of The Fellowship of Ailbe, a spiritual fellowship in the Celtic Christian tradition. He and his wife, Susie, make their home in the Champlain Valley of Vermont.
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